This week, I told a student in my class that a great detail is like an ant: it can heap a lot of information on its back, more than it seems a simple word or phrase can carry.
Then, today in the Writing Lab, a student was writing about an experience that involved her father rushing to the hospital to meet her injured sister. In the first sentence, she not only told us that her father hung up his phone and left, but that he left wearing only a pair of cutoff shorts, no shirt, and no shoes. That doesn't just tell me that he's underdressed for just about anywhere but an afternoon on a pontoon boat, but that he's more than hurried.
It's easy to tell when you aren't wearing enough clothes. You're cold and people stare. This father did not care about exposing his skin to the weather or incurring the whispered comments and strange looks from others. He had one priority: getting to the hospital immediately--that's key because he could have easily thrown on a shirt and slipped on some shoes and arrived at the hospital in a reasonable amount of time. But no. Speed was all that mattered. Any delay was too much a delay, even the basics of public attire. That's what that detail tells me as a reader. It lets me into his head so much that I am able to break down what he's thinking when he most likely did not even do so.
Friday, June 6, 2008
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